A List of My Writing & Links

Skein: The Heartbreaks and Triumphs of a Long Distance Knitter (Village Books Publishers)
A memoir of Christen Mattix’s journey into the heart of a neighborhood through a three year public art project.

Passage From Virgin to Bride (Psaltery & Lyre)
An erotic poem inspired by medieval bridal mysticism and Marcel Duchamp

“Record Salmon Run” included in I Sing the Salmon Home: Poems From Washington State (Empty Bowl Press)

For the Love of Orcas: An Anthology of Poetry and Nonfiction (Wandering Aengus Press)

Includes my poem, “Record Salmon Run” where I use salmon as a metaphor for the monastic path

Sweet Honey From My Old Failtures (The Meeting House)
Hitchhiking to a “Poetry and the Spiritual Path” workshop after my car got towed while ruminating about poetry and the meaning of life

“Return” (Shoreline City Art Zine)
poem about coming back to myself

"Manifesto of a Poet Reborn," (Clover: A Literary Rag)
poem about finding my voice as a poet

“For Longing: Cyanotype Blue,” (Psaltery & Lyre)
poem about longing, moth wings, swallow tails and my favorite shade of blue

Christen Mattix installation and performance at 16th and Taylor, Bellingham, WA, 2012-2015.

“For Longing” Celebrates 10 Years!

Ten years ago today, I stepped out of my apartment with yarn and knitting needles to begin my halfmile knit from a bench at 16th and Taylor to Bellingham Bay. My friend Sara reminded me of this fact today at the surprise gathering she hosted in my honor. “I’m a numbers person,” she explained. She caught me completely off guard. I wasn’t thinking about my knitting today, my heart bruised from a recent disappointment by a friend. And yet, there I sat blinking in the sunshine in my friend’s front yard at a colorful picnic table adorned with a yellow gerber daisy in a tall vase. Sara brought out homemade rhubard crisp and two ceramic teapots of jasmine and black tea. We downed cup after cup while talking about presence, paying attention and Mary Oliver’s poetry while the dog, Maisy, gleefully destroyed a softball with her teeth. The torn shell of the softball sat on the table looking like an avant garde sculpture:

I asked Sara what she liked about Skein, the memoir I wrote about those three years spent knitting a blue rope down to Bellingham Bay. She said it made her laugh out loud on several occasions and that she was startled by my honesty. Yes, it is a bare-all kind of book. I held little back which is strange for someone who loves privacy. I gave myself permission to share exactly how I see the world. Reading the book is the closest thing a person can have to being inside my skin and publishing that book was probably the most terrifying thing I have ever done. And yet, I think it’s our job as artists to expose those most tender parts of ourselves to the world. Last night, I dreamt that a policeman gave me a ticket for indecent exposure. I was trying to talk him into just giving me a warning. But that is what artists do every day—we make ourselves naked through our work. I think that’s what makes art—both the process and the looking at it—so potentially exciting and transformative. Recently, I went to a talk by Seattle artist, Drie Chapek. She stood surrounded by her abstract oil paintings (which are so luscious I want to eat them) and asked the audience what they responded to in her work. One young woman with neon green hair spoke up, her voice choking with emotion. She told Drie that she was a hairdresser not an artist but that when she looked at Drie’s paintings, she saw the messiness of her own thought process exposed. It both terrified her and made her feel validated. And so, today, I celebrate the power of friendship and of art to penetrate the shell of our isolation, to remind us that we are not alone.

Skein: The Heartbreaks and Triumphs of a Long Distance Knitter by Christen Mattix is available at Village Books and Amazon.

Sara’s rhubarb crisp and 1970’s napkins that gave me joy.

The poem that Sara read today from her Mary Oliver book.

From Junkyard Trash to Communal Treasure

On this last day of 2017, I want to share a story about the transforming power of art and the imagination. Just over a year ago, I was walking down the street, minding my own business when suddenly an old ​phone booth covered in graffiti caught my eye and informed me it wanted to become a work of art. Fast forward to the present. The Poem Booth now showcases local, juried poems on a quarterly basis, hosts poetry gatherings, and has a website of its own. This eyesore turned art is a sign of the regenerative power of hope-inspired action.

Christen renovating the phone booth into a Poem Booth.

My team of wonder women, poets Shannon Law and Summer Starr, have helped dream the booth into reality through their hard work, talent and passion. We logged hours jurying poems and painting the booth​, driven by a desire to offer the experience of beauty and meaning to all people, not just the folks who frequent art museums​ and poetry events. ​

In our labor of love, ​we hope to inject a fresh transfusion of neighborliness and generosity into the bloodstream of our​ culture. From the very beginning, our vision has been nurtured by artist Makoto Fujimura's articulation of Culture Care.  Makoto has written, “A well-nurtured culture becomes an environment in which people and creativity thrive...Culture Care ultimately results in a generative cultural environment: open to questions of meaning, reaching beyond mere survival, inspiring people to meaningful action, and leading toward wholeness and harmony. It produces cross-generational community.”

The Poem Booth is such ​a generative project, expanding to include more and more people in the creation of soul-nourishing connections. Our team of Poem Booth ambassadors has now grown to include two new poets, Jory Mickelson and Sheila Sondik. In 2018, we are seeking an artist to create a new paint design for​ The Poem Booth. (Side note: I am also personally excited to get my hands on another derelict booth that I've spotted. Perhaps it will become an Art Booth? Ha ha! More dreaming required...)

Please join us in celebrating the first anniversary of The Poem Booth Project on January 13, 2018 for an inspiring evening of poetry and camaraderie with our 2017 Poem Booth poets.  

Upper level, Community Food Co-op. 6-7 pm. Free. 1220 N Forest St, Bellingham, WA.

See poembooth.weebly.com for poems and pictures.

Sweet Honey From My Old Failures
by Christen Mattix

What a long, strange trip it’s been!  This weekend has left me feeling baffled, angry and deeply grateful all at the same time.  Friday I got hired at my dream job, an art framing gig that is walking distance from my apartment in downtown Bellingham.  After the interview, I felt both relief and exhaustion from the past couple of weeks spent applying to various businesses including a flower shop, a shoe store, and a soap making company.  I had a hot soak in my bath tub, ate dinner around 5 pm and was ready to read a bit before turning into bed early when my mom called and invited me over to spend time with my brother before he heads back to Oregon.  I overcame my exhaustion, changed out of my p.j.’s and into my street clothes and walked to my car which I had parked about seven minutes away in the free parking zone.  I felt especially motivated to see my brother again because the last time we’d hung out he’d been in a deep, unspoken funk and I wanted to give him some big sister love and attention, and hopefully draw the poison out of him.

I had dinner with my brother and was relieved that he seemed to be doing better and could articulate his funk this time around.  I drove home exhausted and bleary eyed, parking across the street from my apartment.  It felt like a miracle that a spot was available on a Friday night because my street consists of a brewery, a dance club, and a bunch of restaurants open all hours of the night.

That night I slept fitfully and in the early hours before dawn my elderly cat Iris decided to let loose her most mournful, operatic meows.  I lay in bed hating my beloved cat.  However, I could have taken her meows as a warning.  Afterall she is my spiritual weathervane.  Whenever I am going through a hard time or about to go through a rough patch, she cries.  When my life is on the uptick, she throws her glitter ball, cuddles and purrs.

I got up and put the rough night behind me, reminding myself about the exciting workshop I was going to take called Poetry and the Spiritual Path.  My friend texted to say she couldn’t give me a ride after all.  I thought, No problem, I’ll drive.  Suddenly, my heart sank as I realized I’d parked in the area reserved for the Saturday Farmer’s Market.  I went out to look for my car and it was gone so I called the towing company listed on the sign.  Sure enough, they had impounded my car but I got the address, caught the bus, and hoped I could retrieve my car in time to arrive near the start of the workshop.

I rode the bus with a Vietnam Veteran whose blue eyes stared in opposite directions, a bit disconcerting.  He said he was a “fighting Irish” and would go back to serve in a war at a moment’s notice if need be.  He’d fallen on his head once and gotten up and walked away unscathed.  I thought to myself, I’m part Irish.  Maybe this mess with my car is happening to test my grit.  I determined to take it as gracefully as possible.

I got off the bus and walked the half mile to the towing company only to discover they were closed weekends.  I called the dispatcher and asked if I could get my car so I could make it to class on time.  She said I would have to pay an extra $85 to get my car out on the weekend.  The cost of getting my impounded car was already over $300 so I said I would wait until Monday.

I decided to walk the 3.5 miles to the Poetry and the Spiritual Path workshop since it was outside the area covered by the bus system and I really, really wanted to attend the workshop.  Chuckling ruefully to myself at the irony, I set out to walk to the workshop thinking about today’s experiences as a mirror of my spiritual path–lonely, beautiful and incomprehensible.  I wanted to be as present as possible to the landscape around me in the hopes that I would get a great poem for my pains…especially if I was going to be late and miss most of the class.

I walked past fields of sparkling grass.  An ancient red barn with broken windows.  Electric power lines that crackled and snapped.  I stopped to eat a sour blackberry and shake a piece of gravel out of my shoe.  I passed a house with plastic flamingo windmills spinning their legs idly in the breeze.  As I walked, I held my thumb out hoping a passing driver would take pity on me and give me a lift.  Since they continued to speed past, I decided to try facing the next approaching driver.  I waved then put my hands together in prayer posture.  The truck slowed down and pulled over in front of me.

“I just want you to know I never stop for hitchhikers,” the bearded driver told me as he rolled down his window, “but you look harmless.  Climb on in.  Where are you headed?”

I told him I was going to a workshop just a couple of miles down Noon Road on Huntley Drive.  He said he had plenty of time and would take me the whole way.  I arrived just half an hour late for the workshop, my heart swelling with gratitude as I joined the poetry circle.

The instructor led us in an extended meditation on a poem by Antonio Machado, a poem that moved me to create a sculpture a few years ago in response to this stanza:

Last night as I was sleeping,
I dreamt—marvelous error!—
that I had a beehive
here inside my heart.
And the golden bees
were making white combs
and sweet honey
from my old failures.

Marvelous error!  I couldn’t get the phrase out of my mind.  Could the Divine make honey out of this day’s particularly abject failure?  A stupid, totally avoidable parking misadventure that was draining precious resources out of my already shrinking bank account?  It’s hard enough to spend money on my needs–a new clutch for my car, the studio rent.  Paying for my car to be impounded because I-was-too-tired-to-think-straight-last-night-but-wanted-to-show-love to-my-brother was a little hard to take.

But what if the whole Universe is a marvelous error, an aberration from No-thing?  What if my mistakes and failures exist to give the Queen Bee something to do?  The great triumph of turning my abject, helpless existence into something sweet?  What if my life is both poetic text and spiritual path?

The instructor pointed out that writing poetry and cultivating one’s spiritual path are useless activities from a pragmatic standpoint.  You don’t make money from either.  That said, I don’t think the Divine calculated the gross national product or made a business plan before creating the cosmos.  We humans have it all wrong.  Utility can’t measure the value of human existence.  Humans and human artifacts like poems and paintings don’t exist to be necessary, they exist to be loved, treasured and enjoyed along with this immense and extravagantly unnecessary universe.

While at the workshop, I did not create a masterpiece of a poem from my failures; I wrote a gloomy pantoum.

Sunday I attended Sacred Heart Church.  After mass I prayed in front of the icon of the Sacred Heart of Jesus.  I gazed at the thorns encircling his blazing heart and begged him to remove the thorns that were constricting mine, thorns of worry about money and the future.  Suddenly a friend tapped me on the shoulder and asked how I was doing.

“You’re stressed out, aren’t you?” she said.

I told her about my car getting impounded and burst into tears.  

“How much was it?”  She asked.

“$300,” I said.  She started crying with me.

“How about if I pay it?” she said.  Later she dropped off a card with $300 in it and a note that said, “Trust, trust, trust in the mercy of God.

I tried to give her a painting that she liked worth at least $300 to express my gratitude, and quite frankly, repay my debt.

“It’s not apples and apples, darling,” she told me. “You keep your painting.”